6th of Zi’da, arc 719
“Is this it?“ Tristan asked and looked at the entrance to the Ox’s Bellow Tavern, momentarily adjusting the bag that he was carrying because it was quite heavy and filled with stones – or rather things made of stone (and clay).
“Yes, I think that’s the place”, his bodyguard Lianne, a pretty red head that shared his bed sometimes, replied.
“Let’s go in then!” Tristan told her, smiling all over his face. He’d been depressed for the past couple of seasons because of the Plague that had pretty much ruined Rynmere and forced him to go into exile again, but at the beginning of the Cold Cycle he’d decided to just stop, take advantage of his exile, enjoy life, see the world and create art instead.
Being depressed hadn’t felt good.
At all.
He pushed the door to the tavern open somewhat awkwardly – because of the bag that he was carrying and that he refused to hand over to Lianne – and stepped inside. While Lianne sat down at an empty table and watched Tristan somewhat bemusedly, the duke who wasn’t sure if he was still a duke due to a lot of his subjects dying approached the bar.
A moment later Soren would find himself face to face with a rather interesting looking young man. Tristan was wearing a very expensive looking bright blue brocade coat, among other things, there was a tattoo of shimmering silver runic symbols on the left side of his face, running down his neck and disappearing into his shirt, half-covered by wavy dark hair, and there was a crossbow strapped across his back.
The crossbow wasn’t brown or black or grey like weapons normally were, it was blue and golden instead.
“I’m sorry. I should have checked if weapons are allowed in here first”, he remarked and looked at Soren apologetically before he took the crossbow off and placed it onto to bar. “You can keep it as long as I’m here in order to make sure that I don’t shoot anybody. Not that I’m a particular good shot. I mostly shoot my old sculptures, for entertainment”, he explained and reached into his bag in order to remove a few small sculptures that appeared to be of astonishingly high quality, a noble knight, a scary looking, old hag and another knight – except this one wasn’t wearing any clothes apart from an impressive helmet with a feather and was really, really fat.
During the boat trip to Melrath – he intended to take part in a festival in Raelia – he’d made a smaller version of his best sculpture ever, the sculpture of Peake Andaris, in order to distract himself from his terrible seasickness. It had actually worked – sometimes.
“I’m a sculptor, you know, and I heard about this Nuit Blanche thing”, he explained. “I made sculptures of the founders of my home, Rynmere – and of Peake Andaris. That’s the naked guy. Do you want to see more of my work? I can even make my sculptures move”, he claimed.
“Is this it?“ Tristan asked and looked at the entrance to the Ox’s Bellow Tavern, momentarily adjusting the bag that he was carrying because it was quite heavy and filled with stones – or rather things made of stone (and clay).
“Yes, I think that’s the place”, his bodyguard Lianne, a pretty red head that shared his bed sometimes, replied.
“Let’s go in then!” Tristan told her, smiling all over his face. He’d been depressed for the past couple of seasons because of the Plague that had pretty much ruined Rynmere and forced him to go into exile again, but at the beginning of the Cold Cycle he’d decided to just stop, take advantage of his exile, enjoy life, see the world and create art instead.
Being depressed hadn’t felt good.
At all.
He pushed the door to the tavern open somewhat awkwardly – because of the bag that he was carrying and that he refused to hand over to Lianne – and stepped inside. While Lianne sat down at an empty table and watched Tristan somewhat bemusedly, the duke who wasn’t sure if he was still a duke due to a lot of his subjects dying approached the bar.
A moment later Soren would find himself face to face with a rather interesting looking young man. Tristan was wearing a very expensive looking bright blue brocade coat, among other things, there was a tattoo of shimmering silver runic symbols on the left side of his face, running down his neck and disappearing into his shirt, half-covered by wavy dark hair, and there was a crossbow strapped across his back.
The crossbow wasn’t brown or black or grey like weapons normally were, it was blue and golden instead.
“I’m sorry. I should have checked if weapons are allowed in here first”, he remarked and looked at Soren apologetically before he took the crossbow off and placed it onto to bar. “You can keep it as long as I’m here in order to make sure that I don’t shoot anybody. Not that I’m a particular good shot. I mostly shoot my old sculptures, for entertainment”, he explained and reached into his bag in order to remove a few small sculptures that appeared to be of astonishingly high quality, a noble knight, a scary looking, old hag and another knight – except this one wasn’t wearing any clothes apart from an impressive helmet with a feather and was really, really fat.
During the boat trip to Melrath – he intended to take part in a festival in Raelia – he’d made a smaller version of his best sculpture ever, the sculpture of Peake Andaris, in order to distract himself from his terrible seasickness. It had actually worked – sometimes.
“I’m a sculptor, you know, and I heard about this Nuit Blanche thing”, he explained. “I made sculptures of the founders of my home, Rynmere – and of Peake Andaris. That’s the naked guy. Do you want to see more of my work? I can even make my sculptures move”, he claimed.