Vhalar 40, Arc 717
Tristan had returned to Andaris. He had not returned because he had given up on Oakleigh, but because there was an art exhibition taking place in the capital, and they had agreed to display some of his creations. His absolute masterpiece, the nude sculpture he had made of Peake Andaris, was unfortunately still missing and would likely never be found again, but he had taken the second best sculpture he had ever made with him. He had also decided to make a new sculpture just for the exhibition to show off a new technique he had learned. He was really curious about what people would say!
He arrived early, several breaks before the actual opening of the exhibition, because he still needed to put the finishing touches on his newest work of art. Ayla, his little daughter, had not come with him, but was at home, in his old house, and being taken care of by a babysitter. One of his bodyguards, Lianne, a very pretty redhead, had accompanied him though. People were incredibly worried about his safety since he had become a duke, besides Lianne was actually great company. She had a great sense of humor and drank nearly as much as him. She had also, occasionally, shared his bed in the past.
A helper that he had hired just for the occasion helped him carry the large chests with the sculptures inside. The first sculpture they unpacked and placed on a pedestal, his second best creation ever, was of the two headed hound that had terrorized Rynmere a few seasons before. It had a nice saddle and reins with golden tassels on, and a half naked man and women were sitting on its back. A small sign on the pedestal said that the sculpture was called “Triumph over the Beast” and had been made by Duke Tristan Venora.
The second sculpture was of an incredibly ugly woman with a face full of warts that was wearing a black, hooded cloak and had a raven on her shoulder and a scythe in her hand. This sculpture didn’t have a name. It was Tristan’s interpretation of Krome, the patron saint of death, but he knew better than to tell people that as they could be very touchy where religion was concerned, and he didn’t want to spend the rest of his trials in prison.
The third sculpture was a truly monstrous head made of soapstone. It was so scary looking that Mistral, his cat, had run away when he had first seen it. It was Tristan’s interpretation of Aelig, the Immortal of Illusions, who had tried to ruin his life. Aelig didn’t really have a face, but since you couldn’t make a faceless face, Tristan had made a monster face because that was what Aelig ultimately was – a terrible, overpowered monster.
Unfortunately the sculpture didn’t work as intended yet, and it was also terribly cross-eyed, which was why Tristan quickly opened his pack, removed a chisel and started hammering away. After a few bits he placed it on its pedestal, watched, made a face and hammered some more. Finally he was content, wiped the dust and the bits of stone off his fine black and blue suit and sat down on a nearby chair while he waited for the first of current and future fans to arrive. He loved having fans!
The people that approached Tristan’s section of the art exhibition would be treated to a truly terrible experience. Upon stepping in front of the Aelig sculpture, said sculpture would turn around, seem to look directly at them and let out a loud scream!
Tristan had returned to Andaris. He had not returned because he had given up on Oakleigh, but because there was an art exhibition taking place in the capital, and they had agreed to display some of his creations. His absolute masterpiece, the nude sculpture he had made of Peake Andaris, was unfortunately still missing and would likely never be found again, but he had taken the second best sculpture he had ever made with him. He had also decided to make a new sculpture just for the exhibition to show off a new technique he had learned. He was really curious about what people would say!
He arrived early, several breaks before the actual opening of the exhibition, because he still needed to put the finishing touches on his newest work of art. Ayla, his little daughter, had not come with him, but was at home, in his old house, and being taken care of by a babysitter. One of his bodyguards, Lianne, a very pretty redhead, had accompanied him though. People were incredibly worried about his safety since he had become a duke, besides Lianne was actually great company. She had a great sense of humor and drank nearly as much as him. She had also, occasionally, shared his bed in the past.
A helper that he had hired just for the occasion helped him carry the large chests with the sculptures inside. The first sculpture they unpacked and placed on a pedestal, his second best creation ever, was of the two headed hound that had terrorized Rynmere a few seasons before. It had a nice saddle and reins with golden tassels on, and a half naked man and women were sitting on its back. A small sign on the pedestal said that the sculpture was called “Triumph over the Beast” and had been made by Duke Tristan Venora.
The second sculpture was of an incredibly ugly woman with a face full of warts that was wearing a black, hooded cloak and had a raven on her shoulder and a scythe in her hand. This sculpture didn’t have a name. It was Tristan’s interpretation of Krome, the patron saint of death, but he knew better than to tell people that as they could be very touchy where religion was concerned, and he didn’t want to spend the rest of his trials in prison.
The third sculpture was a truly monstrous head made of soapstone. It was so scary looking that Mistral, his cat, had run away when he had first seen it. It was Tristan’s interpretation of Aelig, the Immortal of Illusions, who had tried to ruin his life. Aelig didn’t really have a face, but since you couldn’t make a faceless face, Tristan had made a monster face because that was what Aelig ultimately was – a terrible, overpowered monster.
Unfortunately the sculpture didn’t work as intended yet, and it was also terribly cross-eyed, which was why Tristan quickly opened his pack, removed a chisel and started hammering away. After a few bits he placed it on its pedestal, watched, made a face and hammered some more. Finally he was content, wiped the dust and the bits of stone off his fine black and blue suit and sat down on a nearby chair while he waited for the first of current and future fans to arrive. He loved having fans!
The people that approached Tristan’s section of the art exhibition would be treated to a truly terrible experience. Upon stepping in front of the Aelig sculpture, said sculpture would turn around, seem to look directly at them and let out a loud scream!